This is especially true when dealing with footages shot with Arri Alexa or RED Epic camera where the Log colourspace which resulted in low/poor contrast and dull looking.Ī quick Grade or ColorCorrect node to bump up the contrast/saturation can help CameraTracker to track better with higher confident compared to the raw footage. When receiving a shot footage, one need to be aware of the colour space of the footage. For now, I’ve highlighted keywords in case of TLDR (too long didn’t read) syndrome. I’ll be updating this post with proper images/screenshots to better illustrate each problem. Read on to identify the list of issues and suggestions to fix it. Still that doesn’t mean it can get the desire result you’re looking depending on the project you’re working on. Nuke’s CameraTracker is easily one of the most user-friendly workflow when the need arise when tracking a shot. Headbutting Common Issues in CameraTracker
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